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Pearson Sound (aka Ramadanman) & Jackmaster @ Wrongbar - Oct. 26 at Wrongbar

Toronto Event Date: Wed, October 26, 2011Thu, October 27, 2011

Neighbourhood:
parkdale, west queen west
Activity:
live music, live performance
Venue type:
bar, dance club, lounge
Scene:
19+
Food/Drink:
 
Music:
future garage, electronic, experimental, dubstep
Cost:
Drink n/a (add)
Meal n/a (add)
Cover $15

Wrongbar
1279 Queen Street West
Toronto, ON M6K 1L6

416-516-8677

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Event Description


Pearson Sound (aka Ramadanman) & Jackmaster @ Wrongbar - Oct. 26

GALAPAGOS & BASSMENTALITY PRESENT

GALAPAGOMENTALITY
PEARSON SOUND (AKA RAMADANMAN) & JACKMASTER
Wednesday, October 26, 2011 – Wrongbar
1279 Queen Street West, Toronto

Adv. Tickets $15.00 (plus s.c.) | Doors @ 10pm | 19+ Event

Tickets on sale at http://www.ticketweb.ca/t3/sale/SaleEventDetail?dispatch=loadSelectionData&eventId=3939765&pl=embrace, ROTATE THIS & SOUNDSCAPES

RAMADANMAN
http://www.facebook.com/pages/Ramadanman/6050069126
David Kennedy’s work as Ramadanman and Pearson Sound has been a positive scourge on the airwaves this past year. His current deviation from any kind of conventional ‘dubstep’ template hasn’t come as a shock for anyone who’s been following his career from the start – he’s always had a particular slant and a percussively textured style all of his own that’s often layered with thick and potent bass frequencies and synth washes – but it seems like with recent material like ‘Work Them’ (released on Loefah’s Swamp81 imprint) Kennedy is simply toying with the world’s expectations of him.

As a key component behind some of the most daring dancefloor music released in the last year, both as a producer and as a label owner – Kennedy co-runs the Hessle Audio imprint, alongside Pangaea and Ben UFO – he’s travelled the world numerous times over releasing music by key producers like Joe, Elgato and James Blake as he’s done it. Scoring his label a well respected residency at London club, fabric and more recently, starting his own vinyl only night called Acetate in Leeds, his knack for working over a dancefloor shows no sign of waning. Finding the perfect space between bass bin and monitor he’s constantly innovating, refusing to sit still and feeding off all kinds of temperate influences – from old house to Chicago juke music – the end of 2010 and into 2011 sees him hording an array of productions that are absolutely battering soundsystems, radio shows and eardrums alike.

JACKMASTER
http://www.facebook.com/djjackmaster



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19+