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Melt-Banana & Tera Melos @ Wrongbar - October 25 at Wrongbar

Toronto Event Date: Tue, October 25, 2011Wed, October 26, 2011

Neighbourhood:
parkdale, west queen west
Activity:
live music, live performance
Venue type:
bar, dance club, lounge
Scene:
19+
Food/Drink:
 
Music:
japanese, experimental, noise, noise rock
Cost:
Drink n/a (add)
Meal n/a (add)
Cover $14

Wrongbar
1279 Queen Street West
Toronto, ON M6K 1L6

416-516-8677

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Event Description


Melt-Banana & Tera Melos @ Wrongbar - October 25

EMBRACE PRESENTS

MELT-BANANA & TERA MELOS
Tuesday, October 25, 2011 – Wrongbar
1279 Queen Street West, Toronto

Adv. Tickets $14.00 (plus s.c.) | Doors @ 8pm | 19+ Event

Tickets on sale at http://www.ticketweb.ca/t3/sale/SaleEventDetail?dispatch=loadSelectionData&eventId=3852475&pl=embrace, ROTATE THIS & SOUNDSCAPES

MELT BANANA
www.myspace.com/azap
Melt-Banana; possibly one of the world‘s most entertaining, mind blowing live bands today. Melt-Banana is slowly becoming “the thing” in America. Melt-Banana combines grindcore, punk rock, noise, avant-garde and metal to prove that anyone who doesn‘t come out of one of their shows wondering, talking and raving, has a problem.

TERA MELOS
www.myspace.com/teramelos
The history of Tera Melos, like the life of Dostoevsky, treads between transcendence and complete breakdown. In the early quartet years, live performances were as much about gymnastics and daredevilry as they were about actual performance. Bursts of hyper-musicianship sprouted between larger expanses of equipment-trashing, mid-measure cartwheeling, and death-defying rafter-swinging. The evolution from a four-piece to a trio saw the visual chaos reigned in and the aural chaos blossom. Destruction is no longer measured in terms of kicked over amps, bloody fingers, and broken bones. Instead, the deconstructive edge is embodied in Dada-ist pop appropriations, pedal wankery, noise squalls, and frenetic tempos.

Mutation is key. Tera Melos now is not Tera Melos four years ago. Or six months ago. A song isn’t played in a dingy club the same way it was played in the recording studio. Nor is it played the same way it was the night before. Things evolve. Wrong is right. The glitches, improvisations, and general tomfuckery are part of the art and charm. You want clarity? Perfection? Easy hooks? You’ll have to work a little harder than that. This is not casual listening.

A new phase of Tera Melos is born with the addition of John Clardy to the drum throne. Flanked by the cumulative ten strings of Nathan Latona and Nick Reinhart, one can only wonder what new amalgam of sonic confusion, modernist anxiety, and cosmic celebration is brewing in those hills outside of Sacramento.



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19+